Whilst filming the shots for my trailer, I took a variety of photos which I thought would be suitable for magazine cover/poster. I have also conducted a brief analysis of each images sustainability.
This photo shows the character taking photographs of the couple; clearly identifying him as a stalker.
I think this image is less effective than the previous photo, as he is not taking a photograph. This makes it less clear to the audience that he is stalking the couple.
I have angled the camera as two different positions, for both these photographs of the stalking hiding behind the wall. The extreme long shot of him, highlights his sinister appearance, via dressing him in all black and with his hood up.
Therefore, by photographing the antagonist watching/stalking the couple, via bending down by the letter box and looking at them through their windows, reverses with the safe environment of your own home.
I centered the antagonist as a low angle shot, which presents him as powerful and sinister. Via capturing him in an alleyway, illuminates the tight framing of the shot, and enhances the intimidating and adverse emotions. His direct eye contact with the camera, intensifies the uneasiness for the audience.
This image is sustainable as it is clear to the audience, that an outsider has zoomed in, whilst taking a photograph of them. This enhances the audiences sensation of being aware that they're being stalked.
This photograph of positions the audience with the relationship between the couple as it displays a clear level of affection. Thus inferring how the audience will automatically be made aware that there could be a direct threat to their relationship, from the antagonist.
This low angle shot of the couple, highlighting their relationship as strong, juxtaposes with the paradoxical nature of the incapability the boyfriend truly has in keeping them both safe, as he ends up being killed.
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